Tall and tan and young and lovely, the girl from Ipanema goes walking
And when she passes, each one she passes goes `ah’
When she walks, she’s like a samba that swings so cool and sways so gently
That when she passes, each one she passes goes `ooh’
But I watch her so sadly, how can I tell her I love her
Yes I would give my heart gladly,
But each day, when she walks to the sea
She looks straight ahead, not at me
This little star is furnished with good spirits,
Whose mortal lives were busied to that end,
That honour and renown might wait on them:
And, when desires thus err in their intention,
True love must needs ascend with slacker beam.
But it is part of our delight, to measure
Our wages with the merit; and admire
The close proportion. Hence doth heavenly justice
Temper so evenly affection in us,
It ne’er can wrap to any wrongfulness.
Of diverse voices is sweet music made:
So in our life the different degress
Render sweet harmony among these wheels.
- Talk frequently and honestly to each other—about your frustrations, about sex, about anger, about disappointment, about your appreciation of each other, about the meaning of life, about everything.
- Strive to work together to solve anything that comes up — be a team, a partnership. Don’t get stuck on who’s right or wrong. Focus on what will solve the problem.
- Keep your connection going through communication, sex, affection, understanding and concern for each other.
“Now! Now!” cried the Queen. “Faster! Faster!” And they went so fast that they seemed to skim through the air, hardly touching the ground with their feet, till suddenly, just as Alice was getting quite exhausted, they stopped, and she found herself sitting on the ground breathless and giddy.
The Queen propped her up against a tree, and said kindly, “You may rest a little, now.”
Alice looked round her in great surprise. “Why, I do believe we’ve been under this tree the whole time! Everything’s just as it was!”
“Of course it is,” said the Queen. “What would you have it?”
“Well, in our country,” said Alice, still panting a little, “you’d generally get to somewhere else–if you ran very fast for a long time as we’ve been doing.”
“A slow sort of country!” said the Queen. “Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to go somewhere else, you must run at least twice as fast as that.”
All this time the Guard was looking at her, first through a telescope, then through a microscope, and then through an opera glass. At last he said “You’re traveling the wrong way,” and shut up the window, and went away.
Lewis Carroll — Through the Looking-Glass
‘I could tell you my adventures — beginning from this morning,’ said Alice a little timidly: ‘but it’s no use going back to yesterday, because I was a different person then.’
‘Explain all that,’ said the Mock Turtle.
‘No, no! The adventures first,’ said the Gryphon in an impatient tone: ‘explanations take such a dreadful time.’
Lewis Carroll — Alice’s Adventures in Wonderland
The queerness of nonsense language and the bizarre rules and regulation the creatures try to impose on Alice tell us much about the terrifying arbitrariness of the world she has to operate in. One of the great appeals is that […] they dramatise the puzzling nature of identity in a world dominated by rules and rulers that remain obstinately unpredictable and indecipherable.
Hugh Haughton — Introduction to Alice in Wonderland and Through The Looking-Glass